Abuelo and Alexander
This past August I finally finished a very personal family portrait of my father and son which turned out to be a true labor of love, begun 3 years ago. My patient father simply waited until I was able to work on it, a little at a time, in between my portrait commissions.
My father is a passionate gardener and the background of this painting is my father's very own garden depicting his collection of azaleas, deciduous azaleas and rhododendrons. It is a fitting tribute to him and to the loving relationship he shares with my son. My favorite part being the tender gesture of their hands touching each other.
The Making of "Mortui Spinus Tristis"
I thought it would be fun to show some process shots of one of my most recent paintings. I found this sweet little goldfinch one day after she flew into my window. Once I got over the sadness of the whole thing, which took about 30 seconds, I ran into the house to get a freezer bag because I knew she would be the subject of a painting one day. Fast forward about a year, I found myself recently in search of a still life subject to paint under artificial light because it had been raining day after day and the light was horrible for the projects I currently had up on my easel.
So I pulled Franken Goldfinch out of the deep freezer and began placing her on objects in my studio. From a previous experience with a Franken Rooster, I know that frozen birds tend to thaw out really quickly under hot artificial light. So my strategy was to paint the bird alla prima (in one session) which took about two hours from start to finish. This includes redrawing the initial under drawing a couple of times until I had the composition just right to line up with the golden ratio.
The next day I began working on the plate. The following day I finished the Blue Willow design. I did the painting in about 8 hours spread out over a couple of days which I was able to accomplish because I put my covered palette, my painting and my subject back in the freezer in between sessions. I simplified the Blue Willow pattern considerably as I was only interested in getting the "feel" of it. However in future attempts at blue & white pottery, I know I will want to approach the design more abstractly.
The title of this painting means "The death of the Goldfinch" in Latin. Spinus Tristis is the Latin name for the American Goldfinch. Coincidentally, "Tristis" means sorrowful in Latin. It adds to the significance of the painting which for me is an homage to a delicate and beautiful life.
This painting, “Death Of the Goldfinch/Mortui Spinus Tristis” is currently available for purchase.
Western Loudoun Artists Studio Tour (WLAST)
I will be participating again in the WLAST tour as a guest artist at Franklin Park Arts Center, stop # 32 in Round Hill, VA this weekend, June 21 & 22 from 10 AM - 5 PM. The paintings above, and many more including examples of my portraiture will be on display and for sale. I will also be conducting paintings demonstrations through out the weekend. Consider making a day of it by visiting the studios of more than 60 artists in Western Loudoun Co. You will see painters, potters, print makers, sculptors, jewelers, fabric artists, photographers and so much more! There will be something to suit everyone's taste & interest. I hope to see you there!
What's On My Easel
This sweet little girl is part of a double portrait commission I am currently working on. You can't really tell from this picture, but I am using a lot more paint here and aiming for more expressive brush strokes all around. And another new approach for me is the palette I am using, it is basically the Zorn palette with three additional colors (Cad red, Cad yellow light, Yellow ocher, Black, White, Prussian blue and a color similar to Magenta).